Showing posts with label independent writer. Show all posts
Showing posts with label independent writer. Show all posts

Tuesday, July 14, 2009

Spinward Fringe: Celebrating Seven Books



The other day I was thinking over the whole of the First Light Chronicles and Spinward Fringe Series all the way up to Frontline and couldn't help but smile.

A number of things have happened since the first copy of the First Light Chronicles Omnibus sold from Mobipocket. My writing has gotten better (though I'm told Omnibus is still a fantastic read), and thanks to the support shown for this series the depth of storytelling in the Spinward Fringe Series has improved a great deal.

Out here in the real world Mobipocket and other science fiction fans have been kind and appreciative enough to support me by buying the books and sending donations the help out with necessities. Others, like the Somacow crew, have been there when I needed help online with everything from spreading the word to saving my Wiki entry.

It's not easy being an independent author full time. When sales slumps hit the concern that my run as a full time writer could come to a quick end becomes very real. Many people assume an independent author is self publishing because a publisher won't pick up his work and I can tell you, that's not always true. I've turned down three bad offers from publishers who assume I'm so desperate to get my stuff on the shelves that I'm willing to sell the whole series and all rights (print, ebook, TV, film, international and merchandising), along with a future book for a handfull of magic beans. The last offer was for an advance of $1.00 and the terms only got worse from there, for example. They obviously consider the series worthy of publication, I'm just not willing to sell it all for a publishing credit only to find myself making so little on each sale that I have to go find another full time job, taking most of my time away from writing. It sort of defeats the purpose...

I enjoy being connected to my readers and fully accountable for my work. You good readers determine whether I can keep doing this full time by buying the books, spreading the word and bringing new readers into the fold if I've entertained them well. You guys also send me emails, post your opinions in this and other blogs and get others hooked on the series. Without you I wouldn't be doing this full time and I'm very greatful. Having said that, if a publisher makes me a reasonable offer on the printed rights in any country I'd be glad to accept and see copies on the shelves. After all, printed copies of my work are still difficult to obtain outside of the US and very few have been sold, less than fifty.

Story wise, much of what began with The First Light Chronicles Omnibus has come full circle. By the end of Spinward Fringe Frontline so many things have resolved. I couldn't be happier with the way things have turned out with the storyline.

Spinward Fringe Rogue Element is one of those very special books wherin I get to write a story I've been looking forward to since Spinward Fringe Resurrection was completed. The whole series has what I consider a solid foundation and vast potential and Rogue Element is where I start to take full advantage of the characters, their individual struggles, the micro storyline and the macro storyline. This is a faster work, it's taking a lot less time to pen. I'm also trying a different approach to novel writing that's working out exceptionally well.

People around the world have been simply amazing. I have to admit that part of this post was prompted by an email I received recently that asked if I was giving up Science Fiction for writing Horror. I can answer that in a word: no. The Dark Arts Horror Novella (which is being posted in serialized format right now), is something I completed over a space of four days. It resulted from a bunch of developmental writing I worked through to improve my writing skills, give my imagination a general workout and to clear my head after working on Frontline for six months solid. I've been working on Spinward Fringe Rogue element for almost three weeks now and am focusing all my writing efforts on science fiction. Will I cross over into other genres in the future? Sure!

However, as of this moment I have many stories left to tell in the Spinward Fringe Saga, and since readers are demanding more (Frontline has sold 150 copies so far depsite a brutal sales slump that's taking place right now), it looks like they want me to keep going. Science Fiction is a constant challenge, beyond any other I've faced. I'm heavily engaged in the characters and love the universe I'm building, so when I leave it's not for long.

There is SO MUCH going on with my work right now. For the next five weeks parts of the Dark Arts series will be posted. Add an upcoming event with The First Light Chronicles Omnibus and work on Spinward Fringe Rogue Element and you could say I'm very busy these days. Still, thinking over the past seven books (including the novellas in the First Light Chronicles Series), leaves me amazed. How far this has come and the support of the 300 or so readers who have jonied me is fantastic.

For anyone who isn't familiar, here's a list of the books I'm talking about:

First Light Chronicles Freeground
First Light Chronicles Limbo
First Light Chronicles Starfree Port
First Light Chronicles Omnibus (Contains all of the above)

Spinward Fringe Resurrection
Spinward Fringe Awakening
Spinward Fringe Triton
Spinward Fringe Frontline

I consider the First Light Chronicles books a part of the Spinward Fringe series simply because the storylines ended up being intertwined. Anyone who is looking at reading the Spinward Fringe series should begin with the First Light Chronicles Omnibus.

Look for frequent updates right here on what's happening in my little microcosm.

RL

On Friday I'll explain what the First Light Chronicles Omnibus Banner is all about. See you then!

Saturday, February 28, 2009

Calling All Readers! Choose The Next Spinward Fringe Cover!

With the impending completion of Spinward Fringe Frontline I've come to a point where I can't decide which cover I want to go with; the red lettering or the blue lettering. There's a third option that I'm really not sure of, but I find it striking. That is a cover featuring Ayan.

So, I put the question to you, dear readers and friends: which cover do you like best? It's important to know that this is a professional decision, and the final tally of the vote on the day of release will determine what cover I go with! It's simply not up to me anymore, it's all you. Keep in mind that whatever you choose will be seen by literally thousands of people across the globe, no pressure.

So vote once, then get your friends to vote once even if they don't know anything about the series, this is a purely aesthetic decision at this point. Thank you for your help on this and for your support thus far.

I'm enjoying writing the third act of Spinward Fringe Frontline and I can't wait until everyone gets a chance to sink their teeth into this book!

The voting booth is at the top of this page and the choices are:
Planet Cover With Blue Lettering
Planet Cover With Red Lettering
Ayan Cover With Blue Lettering
Ayan Cover With Red Lettering























I look forward to seeing the results!

RL

One more thing: Don't worry about Ayan's hair colour.

Friday, February 6, 2009

Spinward Fringe Frontline: First 200 Pages Get Approval


The ultimate suspense for me when I'm working on something new and everything has to slow down while my editor reviews it. If I'm doing good work and enjoying myself I generally lose all objectivity and she's the one who tells me if I'm writing something that's purely self indulgent or something that other people will enjoy as well.

That time is mostly over with Frontline. A week ago (give or take a few days), I handed the first 200 pages of Spinward Fringe Frontline to my editor. There's a lot of action mixed with some serious character and plot development in those pages, and I just had to know how it was turning out from her perspective before I went full speed into the second half of the book. (I kept writing anyway, just not quite as quickly as I normally do in case I'd have to go back and change a few things, but we'll keep that between us...)

After she finished reviewing it she told me that "it read like it was written for a TV-14 or TV-MA rated television show and it was so hard to put down that my sleep schedule is all screwed up." Coming from her that's very high praise, she also liked the balance between many of the characters. (If you want to find out what that means, I'm afraid you'll have to wait for the book to be available, since I'm not going to give anything away).

So, with her approval on the first 200 pages and the knowledge that I don't have any huge plot holes, bad characterization, poor dialog or unbelievable events I'm moving on. It's full steam ahead from here on out.

This novel is definitely the epitomy of Space Opera and it's shaping up to be the longest book I've ever written. I love the characters, what they're doing and that the rules and settings in this universe are coming together perfectly while the plot carries on with the intensity and impact of a tsunami. How long is the book? So far it's 278 pages, and I think I'm about two thirds through it, there's a lot of story to tell and everyone's favorite characters are right in the middle.

Thank you for sticking with me, there IS a light at the end of the tunnel and given a little more time Spinward Fringe Frontline, which has been a blast to write so far, will be available relatively soon. Until then, please continue to spread the word about the First Light Chronicles and Spinward Fringe series, especially now that the books are available on Amazon.com in print (and of course they're still available on Mobipocket as well as other good Ebook retailers). Your support matters, and I'm greatful to every one of you!

More news on the series soon!

RL

Sunday, January 4, 2009

Spinward Fringe Frontline: The Space Opera Series Goes Epic

Space Opera.

There was a time when just hearing the phrase would conjure up films like Star Wars, Star Trek (I'm thinking of The Wrath of Kahn and The Search For Spock as well as whole sections of the Generations television series), Battlestar Galactica, or a small number of other films that writers, directors, actors and everyone else in between managed to infuse with compelling stories and dramatic performances.

When I started writing the Spinward Fringe series I realized that I was setting the stage for something different, something I had never written or seen anywhere before. That's the kind of thing I live for.

Resurrection and Awakening happened, they told a lot of the story very quickly and through a few twists and turns everyone who read those books knew what they had to in order to experience Triton.

Then I started Triton. It was a much greater undertaking than I had ever attempted before and that includes Fate Cycle: Sins of the Past, a 360 page epic fantasy novel I took the better part of two years to write some time before. Spinward Fringe Triton was larger than Resurrection and Awakening combined, had a few very clear plotlines, developed the universe in a greater sense and more than anything: it contained more than one love story. One begins and comes to a tentative conclusion while the others go on their merry little ways complicating the lives of many characters. Again, Triton forced me to write in ways that I hadn't before, to face challenges I hadn't overcome.

After many emails and messages through other delivery systems I've found that my risk taking paid off. It's a good thing too, because I was proud of Triton even before I gave it to my editor, before I was sure all of its parts made a worthwhile hole.

Now I'm right in the middle of Spinward Fringe Frontline. I can't go into details, and I can't even begin to describe Fronline without explaining what comes to mind when someone mentions the term Space Opera

When I see those words (Space Opera), I think; this is a story where one or more characters are searching for something, wherein a quest for love, success, honor or even the greater good is undertaken. To me a true Space Opera always includes a story that you could express in song, perhaps a romantic tune, a dark dirge, or heart breaking melody that tells us of the sacrifice our heroes are making for the greater good. Space Operas, to me, often tell us about something a character wants or needs but the quest for it isn't easy. Sometimes they have to sacrifice thier precious few opportunities to satisfy their emotional needs for the greater good or timing and circumstance doesn't allow them to fulfill their dreams. All the while every character has a song to sing. From the heart one will croon woefully, looking to the stars in hopes that their heart's desire is singing the opposite part of thier unfulfilled duet.

Meanwhile there are dark goings on, the same melody is played by villains, only it's twisted and sinister as they scheme and consort in the shadows. Thier desires, though counter to the greater good, may still be worthy of song especially since the real villains don't see their quests as wrong but take great pleasure in using nefarious methods to accomplish them.

Therin lies the true foundation of the Space Opera. Like many Operas before there is a greater good to serve, a reason for our heroes to stop singing their duet parts and join in on the thematic chorus that will temporarily replace the longing in their hearts with bravery and give them the strength they need to make choices that serve the greater good.

We in the audience know that when devilish villains take the stage a sacrifice may be required before the heroes can finally defeat them.

The Opera plays on and as the heroic chorus is countered by the villainous theme sung in Diabolus in Musica tones we sit white knuckled, chewing fingernails and gripping our partner's arm waiting to find out which character will think up the perfect trick, out sing our villain or make the ultimate sacrifice for the greater good. All the while we're hoping to hear that romantic theme triumphant, signifying that the golden pair have found their way to each other, praying to hear the heroic chorus sung thundrously high over the defeated villain and desperately trying to avoid thinking back to that dark middle act wherin nothing was won, hope seemed impossible and the villain had his day. We wonder before the end if the villain or hero will have the swan song as they are killed or sacrificed and find it hard to watch as those final moments play out.

That, to me is Space Opera. To elaborate a little more, I think that's a quick and dirty guide to Epic Space Opera.

More specifically, that's what I'm doing in Spinward Fringe Frontline.

The stage is set, the players are all in costume, the audience has returned from the first intermission and now I go to write that dark, sinister second act.

RL

Saturday, December 27, 2008

SomaCow Interviews Randolph Lalonde

I'm a regular live listener to SomaCow, I'll admit with no shame (okay, maybe just a little), that their fearless humour and many of their opinions fit right in with what I really enjoy in a talk radio show.

Ross, Geoff and myself had talked about doing an interview, but I was really just calling in to say; "hello, merry Christmas and a happy new year." Geoff, being the effortless pro that he is, picked up the unplanned call and just peppered me with questions about self publishing, being and indie writer, about the crazy cold weather us Canucks were having that night and it was great fun.

I've done interviews before (years ago), and as always there are a few things I look back on and think; "God, I really should have said this, that, or added this or the other to a particular statement." That's natural, and thanks to SomaCow and their generosity I may get another opportunity to talk to Geoff and the guys (that would be J, Mickey and Ross), but none of the blanks I think I missed really need filling in, except for one.

There's a point in this interview where Geoff asks about what kind of advice I have for budding indie writers. My response is correct, except for one thing: I actually forgot to mention that the most important part of any budding writer's career is to continue improving your craft. There are other points that pertain to independent and represented writers, and they're mentioned.

Go on over and listen to the interview, I'm sure there's something in there for you to enjoy! Sadly, I didn't get to talk to J so much...

RL

Oh, and when you're finished, take a moment to leave a comment.