A Word On Genre

This blog post started as I was responding to this blog post by KM Weiland entitled: Why Genre Writing Could Kill Your Career.

I suggest you give the post a read before continuing on here, but in case you're pressed for time, I'll sum up the controversy that genres pose to authors and then to readers.

Authors who genre write may be pigeon holed, that is, being known as "that scifi writer" or "that fantasy writer" and not seen as being capable of, or interested in writing in other genres. Publishers often expect a different level of sales for each genre, so if someone like me is published in the science fiction genre (which doesn't sell as much as say, mystery or romance), I'll be paid less than a pure romance genre writer if I decide to write a romance novel because I'm not known in the genre and my last science fiction book may have sold well for its genre, but not well compared to the average romance novel. Thus, many cross genre writers use a different pen name for each genre. (I use L.S. Randolph for horror, for example).

Authors sometimes have great difficulty selling a book outside of their normal genre as well. The perception is that readers won't buy a mystery novel from "that SciFi guy". I've only seen it once, but large publishers and two agents I've spoken to say they see it all the time.

Genres also come with stereotypes that aren't always false. For example, Science Fiction space novels (especially Space Opera), are often considered trashy or cliche paperback books by people who don't read them. That's partially thanks to the old science fiction publishers from the 50's to 80's who would pay writers to churn out books that fit that stereotype perfectly. Readers who purchase the wrong Space Opera novels can end up with over used plots and cardboard characters. The same goes for romance, the noir subgenre of mystery or practically any other genre where a number of publishers have found what they think "delivers on reader's expectations." I cringe at the term. If that's all I was here for, I may as well have stayed in customer service, answering phones for a great big company who didn't much care about doing more than they had to in order to "deliver on customer's expectations." It paid better.


Here's what I had to say about my current place on genre writing:


I have at least a fair understanding of how common cliché's in genre fiction are. The bulk of my work over the last twenty months has been in the science fiction sub-genre of Space Opera.
I see the genre bracketing as a challenge, however, and strive to create an experience for my readers that includes creative takes on what may have been done before, something that hasn't been done before, while giving them POV characters that they can relate to on some level and are on believable, emotional journeys. It's not easy, but it's a pretty enjoyable task when things start going right.
The genre gives me a default audience, which is both a blessing and a curse. I've been at the top of Mobipocket's science fiction listing for nearly a year http://bit.ly/jYoLZ and that gives my new releases a boost, but crossing genres is still difficult if you're not in the general top 10 category wide. I love SciFi fans, especially my readers, but I get a special charge when someone who doesn't read SciFi enjoys my work.
I have more to say on this topic, so I'll blog about it on my own space and not take up more of yours! www.spinwardfringe.com
Thanks for bringing this topic up K.M. Weiland... just look what you did... *wink

--- End Comment
To expand on that a little, I have to add that I self publish. Now I self publish by choice, having turned down at least one very real, very bad publisher's offer. I'm not interested in my Spinward Fringe series being boiled down for a broader audience. I'm not interested in writing by formula so everything I do simply "delivers on reader expectations". In case you were wondering, the publisher who made the offer wanted a formula Space Opera, they went as far as to come out and say so. Like I stated above, I want to push. I want to try new ideas, new writing styles, new characters with new voices and I want to surprise my readers with something they don't expect.

That's where genres hurt us, they make it easier for readers to walk on by a whole section of the brick and mortar or online book store when their next great adventure or drama could be somewhere in the middle. They could be missing out, because within every genre there is a gem for everyone.

Reader reviews are the best guide in my opinion. When I'm looking for a new read, especially in a genre I don't normally shop in, I look at the user reviews first. When I see someone say; "I don't normally read this genre, but this book was fantastic," I know the book is worth a closer look.

RL

Thanks for opening that can of worms K.M.Weiland, it was a bit of fun!
[Does making books easier to find make up for the genre stereotypes?]

From Fringe To Fright: The Dark Arts Experiment

Two months ago I finished an edit of Dark Arts: Rising, the first part of a potential horror serial that was based on the concept of a dark resurrection changing the world. It was a short, 15,000 word piece that presented a fantastic creative challenge. Horror.

Horror writing has always been my kryptonite. I'll confess: in my twenties I wrote two very bad, very long horror novels. I even tried writing one by hand to see if I could somehow change my style for the better by avoiding typing. I got a stack of double spaced hand written pages four hundred deep that will never see the light of day. A crime against Bic pens and ruled paper.

Dark Arts: Rising has more potential and I'm happy to announce that, for better or worse, it's available for free at Smashwords for every kind of eBook reader you could imagine and on its very own blog page. If you're noticing this story late, then you're sort of lucky. Everyone else had to read it piece by piece as I released it over the last seven weeks. Something about serializing this work in particular was a lot of fun.

The story is set in 1996 and begins with a dark resurrection conducted by one, Zachary Ellison. Maxwell, a grumpy British occultist, has been on his trail for years and is one of the last members of a secret society. He does his best to counter the damage Zachary has done to the barrier between the spirit and corporeal worlds while trying to lay the ground work for a re-ignition of the occultist secret society charged with protecting the general populace from what goes wailing and rending in the dark.

If you enjoy reading this ditty and want more, show your support by posting a review on Smashwords or donating whatever you think its worth. It was a blast and total change of pace to write and it didn't slow down work on Spinward Fringe much at all.

RL

[Dark Arts: Rising at Smashwords] [The Blog Page]

[Have you read Dark Arts Rising already? What did you think?]

Who Is L.S. Randolph?

Who is L.S. Randolph?

The short answer is, he's Randolph Lalonde, an independent author who lives in Ontario. Canada. He's also the best selling science fiction author on the Amazon.com owned Mobipocket.com EBook website (for seven months and counting). That sounds impressive, sure, but in truth he's still a new author and Mobipocket isn't a very big site.

Randolph Lalonde writes full time, focusing much of his efforts on the Spinward Fringe space opera series of books. For more information and a quick bio you can check out the Wikipedia page.

Why take a pseudonym if you're only going to go public with it?

Many authors take a pseudonym for many reasons. In this case the name Randolph Lalonde is starting to become known for Science Fiction that's suitable for young adults up to adult readers. It's all rated PG-14 and thankfully many readers enjoy it a great deal. It's also important to mention that publishers and agents find it awkward when one author's name is attached to more than one genre. There are a lot of reasons behind that and I won't bore you with them.

A pseudonym can afford some creative freedom and that's the most important reason behind it in this case. I'd rather write horror unfettered by expectations set in my other work. Let's face it, horror is nothing without the terrible things that the genre tends to visit upon the characters trapped in the genre.

What kind of horror does L.S. Randolph write?

The first project is Dark Arts Rising. It's a supernatural / horror tale that begins with a series of terrible events. There's bloodshed in the first dozen or so words and the whole tale begins with a victim. Not typically what you'd see in the science fiction from Randolph Lalonde.

The second project may be RAGE³ (Rage Cubed), which follows the story of a serial killer from a unique perspective. It's looking like this novel will take a very, very long time to write and is well divorced from the Dark Arts Rising project. No hocus, no pocus, no supernatural aspects at all, just good old torture, murder, human evil and the chase involved in finding a way to stop it. Again, not exactly the kind of story you'd expect under the name of Randolph Lalonde.

Will there be other horror/supernatural projects? I have no idea. With enough support Dark Arts could be an ongoing series and considering someone's already donated a small but respectable amount in good faith that could be likely. I'm still writing Spinward Fringe full time, but there's nothing saying that another book or short story idea won't come along and you'll find yet another title attached to the name; L.S. Randolph (which is really Randolph S Lalonde lightly scrambled).

Randolph