Showing posts with label horror. Show all posts
Showing posts with label horror. Show all posts

Tuesday, October 30, 2018

Dark Arts II Halloween, 2018

Starting at Midnight, October 30, the first part of Dark Arts II will be serialized on my Patreon site for free.

It took about two years to plan most of this book and the set that follow it. Each of the Dark Arts novellas will be shorter than my average work, focusing on moving the story and character development forward at a pace that's right out of short pulp stories that were once published in magazines and books made to fit in your back pocket.

I'm excited to tell these stories in a way that's compartmentalized into shorter editions, especially since they'll read well separately and together, each focusing on a set of experiences while carrying the consequences of each adventure forward.

The release date of Dark Arts II is only a guess, but the book is available for pre-order now. I suggest you take a look at the serialized version on Patreon before you order, though, so check that out here: Dark Arts II Halloween Special

Saturday, September 29, 2018

Dark Arts II Is Coming In November

The headline isn't the biggest news. Here's the biggest news about Dark Arts.

Dark Arts is going to become a regular series of short novels, on average between 50,000 and 70,000 words each. The planned conclusion of the series will be in October, 2021.

Dark Arts II was supposed to be out on All Hallows' Eve this year, but I have outlines for nine books, not including the first one. I'm going to toss three of my least favourite outlines and write the rest, starting with Dark Arts II, which will be a little different from the standard horror novel.

Dark Arts I (available for free), was written for people who don't regularly read, so brevity, a quick pace and impactful imagery was my goal there. I'll continue that, keeping the books short, but the style may vary as needed while I always want these books to read at a quick pace.

Writing horror is a completely different experience for me, requiring more development time (which i've had over the last decade), but much less time to write. The first draft of Dark Arts 1 took only a few weeks.

There will be something to read on October 31 of this year. A story from Dark Arts II will appear on Patreon and be sent out as a mini-Ebook to subscribers that morning, so you'll still have something to enjoy on that special night.

Chaos Core and Spinward Fringe novels are still in the works, and you'll be seeing news about that on the blog soon, but if you want the most recent news, podcasts and free reading material, Patreon is the best place to visit.

Thank you to everyone who has already pre-ordered Dark Arts II (No preorders through Amazon, sorry). The thrills and chills are coming!

Friday, January 8, 2016

The Future Of Dark Arts In 2016

Dark Arts has been downloaded over 5,000 times through Amazon alone since it has become freely available. The reviews have been generous with praise, and I am grateful to everyone who bought it, or downloaded it.

"The first desire of any real author is to see their work read."
That was what a drunken, self proclaimed "failed poet" once told me after a poetry reading one night. He was at least five rum and cokes into the night at the time, but I think there's validity to that statement regardless.

Dark Arts, like every other book I write, was a passion project, and having it downloaded and enjoyed is as much validation as Dark Arts needs. When I wrote it I honestly didn't know if anyone would come away with a positive opinion. After being somewhat isolated in my apartment for about three weeks, playing the part of Maxwell in front of my word processor every day for several hours at a time, I had no idea how the work would be received. Now I have my answer and I'm as surprised as I am overjoyed.

Dark Arts will remain free in EBook form and inexpensive in print through Amazon. Over the next year I'll be working on the sequel for the book for a few days every month. Planning, writing thoughts down as they come, and eventually penning whole chapters. When will it be finished? With science fiction dominating 2016, I can't say exactly, but there are scenes I desperately want to see on the page, so you'll see another Dark Arts novel, that is for certain.

Thank you for your support, patience, and faith.

Download it for free wherever quality Ebooks are sold.

You can find it in print here:
US
UK
CA

RL

Friday, October 16, 2015

Spinward Fringe Broadcast 10 - Named, and an Update On Dark Arts

Thanks to suggestions and votes that were piled on at the official Facebook Group for Spinward Fringe, the next Spinward Fringe book has it's name - Freeground.

Simplicity and clarity can lead you to the most compelling ideas, or in this case, names. Two thirds of this book will be about Freeground, so the title is perfect, I will say no more so we can avoid spoilers.

Thank you to everyone who participated in the discussion or voted, you really helped with this one. I highly suggest that you join the Spinward Fringe Community if you're on Facebook, they're a fantastic crew.

Now, for something completely different...




The release date for Dark Arts is still October 31, and I'm a couple days from finishing the manuscript. The test readers are ready to peruse the last pages as soon as I finish them, and the formatter has given me a deadline.

Editing has been ongoing while the book is being written, so the work is going to be wrapped up on time.

So far this book has been an enlightening experience for me, because so much of the first half is solely about the characters, and I've learned to love almost all of them. Then terrible things begin to happen to those same characters, and there are some chapters I've actually hesitated on because I feel like I'm stomping on kittens while drowning puppies. I know, it's a book where bad things happen, and the story may become sad but that's part of why it's good, but sometimes you just want to interrupt the murder by writing... "And... then.... happily ever after!"

While this book may be something of a heart breaker, it does resolve the main story, leaving the surviving characters in the right places. I do not know what the overall reception of this book will be once it's out there, but I hope you enjoy the experience. Here's the link to the Dark Arts page on Facebook. I post hints about what I'm writing and music from the 70's (the time period of the book) daily, so check the history for about twenty previous updates.

Considering that this all started when I wanted to tell a little backstory about one character to support events that take place in the 1990's, I'm pretty happy with how it turned out.

Thank you for checking in, be sure to visit again soon, more news is coming!

RL

Tuesday, September 22, 2015

Dark Arts 1976

After a lot of writing, outlining, and more writing, I can confirm a lot of things about Dark Arts.

It will be a trilogy.

The first Dark Arts novel will be set entirely in 1976.

It will be released on October 31, 2015.

It will fit under the Supernatural category.

Test readers have already seen the first half.

Now, let's take a closer look at those facts. The story of Dark Arts fits into a trilogy that will move from one time period to the next. There will be at least ten years between each book as the plan stands right now. This will be the last book that takes place in the 70's, and this part of the story is the least "horror like" portion because this book is all about how the main character, Maxwell, comes to the Occult and begins his long journey towards the events of the original Dark Arts short, which happens in 1996. This is still not a prequel, because the seven chapter short was just an experiment, and was never meant to be remade into a novel. When the story set in 1996 is told, it will be vastly different, and it has not been told yet. This is a new series starting at book one, Dark Arts 1976.

The 1970's are important to this book because the whole work spawns from a simpler idea. When I sat down to outline the Dark Arts that takes place in 1996-1997, I decided that having three flashback chapters highlighting Maxwell's early life would really help the book. Maxwell, who is in his early forties in the original Dark Arts short, has a long backstory of his own that explains a lot about the world, about what goes on in 1996, and about the characters in that year.

When I started trying to decide which parts of Maxwell's origin and journey to feature in those flashbacks I ran into big problems, because his story was too large, and there was an opportunity to tell a tale about a rock n' roll band who was being pushed off the road thanks to the surge in disco clubs in Canada. In 1976, stages were being torn down so dance floors could be expanded, and over 200 bands in the Toronto area alone suddenly found themselves out of work. Most rock bands who lived on the road, trying to promote themselves and get discovered or take advantage of small record deals, were forced into the ditch - so to speak. Maxwell's band, Road Craft, is just such a creature, a road band who is coming home for the last time. This is a major turning point in Maxwell, Bernie and Zachary's lives, and there was no room to explore it in the three chapter flashbacks I had planned, none at all.

So, the idea of starting a brand new new short series - a trilogy - with the first book taking place in the 1970's  was born, the first Act in a three act play, if you will. The first part would be in the 1970's, featuring Maxwell and his people. The second part would bring it into the late 1990's and would feature an older Maxwell with a complete reinvention of the young characters we met in the original seven chapter Dark Arts: Rising short. The third part isn't something I'm willing to disclose, but it is set in a later time.

I wrote an outline that was meant to take care of Maxwell's 1970's story in seven chapters, and realised that was too small. I tried an outline with fourteen chapters, and it still didn't allow for the whole story to be told. I outlined the first third of the novel and started writing. The chapters all grew, each one twice the size of a normal one, thanks to the addition of a romantic storyline that infuses the story with a sense of warmth and yearning that I didn't expect. It was getting better, but I needed to make sure I could still tell the story I had to, to get to the ending I had planned.

So, heading back to the drawing board after finishing six massive chapters, I tried outlining fourteen big, fat, double sized chapters and voila, a roughly fifty thousand word novel plan that could work. Sadly, that was three times the size I had planned and I would only have about 35 days to write it. So, this year, on October 31, I'll be releasing Dark Arts 1976, the first of three short books that will cover the whole story I have planned at the moment. If this book is successful, I'll make sure I release another Dark Arts novel every October until the trilogy is finished. If it isn't very successful, I'll finish the books when I have time, between other projects. If it is sensationally successful, I have ideas for a second trilogy.

Now, for the last points. The original seven chapter Dark Arts: Rising short was unmistakably horror. Dark Arts 1976 is a Supernatural Drama. The story takes more time to tell, there is more culture, more character development, and the occult is more involved. The rules of the world are explored more, and more attention is paid to the development of Maxwell's situation, and his journey into the Occult. The early chapters that are more drama than action are there to build our relationship with the world, the characters, and to find our way into the emotional story so the second half of the book is more engaging, and we feel for our characters when they eventually find themselves in danger. This puts Dark Arts 1976 firmly in the Supernatural genre instead of straight up horror.

This book is massively different from anything you've read from me before. You will find that the book does not resemble Spinward Fringe, Brightwill or any of my out of print works, it's even vastly different from the original seven chapter Dark Arts: Rising short, which will not be included with this release. The two are too different from each other to share the same cover. I find that this is an enjoyable novel to write, and a great learning experience for me. It's a return to a style I started exploring in my 20's, and abandoned because I felt it was too difficult.

I hope you enjoy it in a little over a month's time when it becomes available, so far the test readers have seen the first half, and the feedback is that they have enjoyed it a great deal.

RL

[Thank you for reading!]

*** Synopsis ***

Maxwell, a guitarist whose band is coming off the road under discouraging circumstances, has come to a crossroad. The minimal success his band, Road Craft, has had is being smothered by an era where bars are becoming discos, and live entertainment is being replaced by larger dance floors. They scored a small record deal years before, but the excitement has cooled, and they never got much radio play. 

The only hope he has of putting his band back on the road for a few more gigs rests in a book he hunted down using contacts and skills he learned from his father, who was an expert at acquiring rare occult objects. Max is not a believer in mysticism, but he knows what he has was hard to get, and should be worth thousands. When he's told it's too hot to sell, his dreams are crushed, and his wallet is left empty. He'll have to tell his band mates that his plan has fallen through, and their next gig may be their last. The members of Road Craft are set to return home during a Pagan summer festival called The Gathering, where hundreds of people gather to celebrate music, nature, and each other. The Gathering also brings Miranda, a woman Maxwell knew when they were children, and the future looks a little more inviting thanks to an undeniable spark.

He doesn't know it yet, but this is the event that will make him a believer, and he will have some choices to make. All the while, there are people who know he has the book, and they are determined to twist the knowledge it contains to a terrible purpose, to break the circle of life, making resurrections possible, to open the door between the living and the dead just enough to embrace forbidden power. Their selfish intent would disrupt the natural order enough to change the world, and not for the better.

Maxwell's music career is about to be the least of his worries.

Thursday, February 21, 2013

That Geek Podcast Episode 8: What We're Looking Forward To In 2013


ImageThis episode is all about the glorious entertainment coming in 2013. We discuss things we're looking forward to this year in entertainment and share the dates of notable movie and television premieres, so if you don't have the time to go in search of entertainment in 2013, let us do the work for you!
Direct Download Link (Right click and select ‘Save As’ or ‘Download Linked File As’)

Sunday, August 23, 2009

A Word On Genre

This blog post started as I was responding to this blog post by KM Weiland entitled: Why Genre Writing Could Kill Your Career.

I suggest you give the post a read before continuing on here, but in case you're pressed for time, I'll sum up the controversy that genres pose to authors and then to readers.

Authors who genre write may be pigeon holed, that is, being known as "that scifi writer" or "that fantasy writer" and not seen as being capable of, or interested in writing in other genres. Publishers often expect a different level of sales for each genre, so if someone like me is published in the science fiction genre (which doesn't sell as much as say, mystery or romance), I'll be paid less than a pure romance genre writer if I decide to write a romance novel because I'm not known in the genre and my last science fiction book may have sold well for its genre, but not well compared to the average romance novel. Thus, many cross genre writers use a different pen name for each genre. (I use L.S. Randolph for horror, for example).

Authors sometimes have great difficulty selling a book outside of their normal genre as well. The perception is that readers won't buy a mystery novel from "that SciFi guy". I've only seen it once, but large publishers and two agents I've spoken to say they see it all the time.

Genres also come with stereotypes that aren't always false. For example, Science Fiction space novels (especially Space Opera), are often considered trashy or cliche paperback books by people who don't read them. That's partially thanks to the old science fiction publishers from the 50's to 80's who would pay writers to churn out books that fit that stereotype perfectly. Readers who purchase the wrong Space Opera novels can end up with over used plots and cardboard characters. The same goes for romance, the noir subgenre of mystery or practically any other genre where a number of publishers have found what they think "delivers on reader's expectations." I cringe at the term. If that's all I was here for, I may as well have stayed in customer service, answering phones for a great big company who didn't much care about doing more than they had to in order to "deliver on customer's expectations." It paid better.


Here's what I had to say about my current place on genre writing:


I have at least a fair understanding of how common cliché's in genre fiction are. The bulk of my work over the last twenty months has been in the science fiction sub-genre of Space Opera.
I see the genre bracketing as a challenge, however, and strive to create an experience for my readers that includes creative takes on what may have been done before, something that hasn't been done before, while giving them POV characters that they can relate to on some level and are on believable, emotional journeys. It's not easy, but it's a pretty enjoyable task when things start going right.
The genre gives me a default audience, which is both a blessing and a curse. I've been at the top of Mobipocket's science fiction listing for nearly a year http://bit.ly/jYoLZ and that gives my new releases a boost, but crossing genres is still difficult if you're not in the general top 10 category wide. I love SciFi fans, especially my readers, but I get a special charge when someone who doesn't read SciFi enjoys my work.
I have more to say on this topic, so I'll blog about it on my own space and not take up more of yours! www.spinwardfringe.com
Thanks for bringing this topic up K.M. Weiland... just look what you did... *wink

--- End Comment

To expand on that a little, I have to add that I self publish. Now I self publish by choice, having turned down at least one very real, very bad publisher's offer. I'm not interested in
my Spinward Fringe series being boiled down for a broader audience. I'm not interested in writing by formula so everything I do simply "delivers on reader expectations". In case you were wondering, the publisher who made the offer wanted a formula Space Opera, they went as far as to come out and say so. Like I stated above, I want to push. I want to try new ideas, new writing styles, new characters with new voices and I want to surprise my readers with something they don't expect.

That's where genres hurt us, they make it easier for readers to walk on by a whole section of the brick and mortar or online book store when their next great adventure or drama could be somewhere in the middle. They could be missing out, because within every genre there is a gem for everyone.

Reader reviews are the best guide in my opinion. When I'm looking for a new read, especially in a genre I don't normally shop in, I look at the user reviews first. When I see someone say; "I don't normally read this genre, but this book was fantastic," I know the book is worth a closer look.

RL

Thanks for opening that can of worms K.M.Weiland, it was a bit of fun!
[Does making books easier to find make up for the genre stereotypes?]

Tuesday, August 18, 2009

From Fringe To Fright: The Dark Arts Experiment

Two months ago I finished an edit of Dark Arts: Rising, the first part of a potential horror serial that was based on the concept of a dark resurrection changing the world. It was a short, 15,000 word piece that presented a fantastic creative challenge. Horror.

Horror writing has always been my kryptonite. I'll confess: in my twenties I wrote two very bad, very long horror novels. I even tried writing one by hand to see if I could somehow change my style for the better by avoiding typing. I got a stack of double spaced hand written pages four hundred deep that will never see the light of day. A crime against Bic pens and ruled paper.

Dark Arts: Rising has more potential and I'm happy to announce that, for better or worse, it's available for free at Smashwords for every kind of eBook reader you could imagine and on its very own blog page. If you're noticing this story late, then you're sort of lucky. Everyone else had to read it piece by piece as I released it over the last seven weeks. Something about serializing this work in particular was a lot of fun.

The story is set in 1996 and begins with a dark resurrection conducted by one, Zachary Ellison. Maxwell, a grumpy British occultist, has been on his trail for years and is one of the last members of a secret society. He does his best to counter the damage Zachary has done to the barrier between the spirit and corporeal worlds while trying to lay the ground work for a re-ignition of the occultist secret society charged with protecting the general populace from what goes wailing and rending in the dark.

If you enjoy reading this ditty and want more, show your support by posting a review on Smashwords or donating whatever you think its worth. It was a blast and total change of pace to write and it didn't slow down work on Spinward Fringe much at all.

RL


[Have you read Dark Arts Rising already? What did you think?]

Friday, August 22, 2008

The Happening: Don't Let It Happen To You

The Sixth Sense and Unbreakable were great films. I was convinced that M. Night Shyamalan was a great writer and would provide his audience with several hours of good entertainment.

I was wrong.

Signs, The Village, Lady In The Water and his latest film, The Happening were nothing short of embarrassing. Some critics liked a few of these movies, and I'm lead to wonder who was paying them for a positive review.

I have no respect for M. Night Shyamalan. His directing style does not have any appeal to me, I found myself falling asleep while watching The Happening during the early afternoon. I like all of the talented actors in this film, and I'm very sorry they wasted their time.

It is difficult to review this film without spoiling any details because there really isn't much of anything to the plot and I can count the major events in the film on three fingers. This film reminded me of the B Movies I'd watch from the late 50's to early 70's. They didn't have much in the way of a location (a road, a farmhouse and a field), and no budget. They had to rely on shooting the reactions of the actors instead of creating a real antagonist. Sadly, M. Night had a big budget, but pretty much shot it in the method I just mentioned with the exception of some very affordable city scenes that he probably paid way too much for.

M. Night Shyamalan is trying to make a point with this film as well, and I get it. Sadly, it would have been much more effective for him to record a quick two minute statement with his camera phone and post it on YouTube like most ameteur film makers these days.

Now for the ultimate test: Could I do better with similar resources? Yes.

All the highlights are in the trailers, so go watch a high definition trailer for this film and rent something better.

RL